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- Bertoia Bird Chair
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DIMENSIONS
38.5"W Β· 33"D Β· 40.25"H Β· 14.5" seat height Β· 21 lb
CONSTRUCTION
Welded steel rod β polished chrome Β· fully upholstered Β· Knoll logo stamped
COMPANION
Matching Bertoia Bird Ottoman available β 23.5"W Β· 17.25"D Β· 14.5"H Β· 9 lb
WARRANTY
Contact for more info.
Dimensions & Weight
Frame & Architecture
Upholstery & Provenance
The sculptural anchor chair. Designed to be the focal point of a room, its high winged 40.25"H silhouette and generous footprint command a magnificent presence while keeping spaces visually open.
With a low 14.5" seat height, it settles the body into a deep, reclined position. The organic wings of the back curl elegantly around the shoulders, creating an intimate sense of privacy.
A single Bird Chair paired with its matching ottoman forms a commanding, sophisticated design statement in premium offices or high-end reception spaces, communicating design seriousness instantly.
Exhibited globally and held in permanent collections like the Art Institute of Chicago. An essential piece for design-led cultural institutions where furniture-as-sculpture governs.
Bertoia described the evolution of his chair forms as a process of discovery rather than design: shapes that began as one idea β a side chair β gradually extended "to care of the head," as he put it, until something emerged that could be held onto, considered, and refined. The Bird Chair is the furthest extension of that process within the 1952 collection β the form where the welded-rod lattice stops resembling furniture geometry altogether and becomes something closer to a winged, settling creature. The fully upholstered cover, stretched precisely over the sculptural frame, transforms the open transparency of the Side Chair and Diamond Chair into something closed and enveloping: rather than seeing through the chair, as with Bertoia's bare-wire pieces, the sitter and the viewer both experience the Bird Chair as solid sculptural mass. At 21 lbs the chair has genuine physical presence without being difficult to reposition. The matching ottoman β designed as a companion but fully capable as an independent stool or footrest β extends the seating arrangement without requiring the full footprint of a second chair. Held today in the permanent collection of the Art Institute of Chicago, the Bird Chair stands as one of the clearest demonstrations of how Bertoia's background as a sculptor shaped every decision in his furniture practice.
Harry Bertoia (1915β1978) was born in San Lorenzo, Italy, and immigrated to Detroit at age 15. He studied at the Detroit Technical High School, the Detroit School of Arts and Crafts, and Cranbrook Academy of Art, where he later taught metalcraft and jewelry design and formed close friendships with Eero Saarinen, Charles and Ray Eames, and Florence Schust (later Florence Knoll). In 1943 he moved to California to help the Eameses develop their molded plywood furniture techniques β a contribution that has historically received little public credit. Florence and Hans Knoll later persuaded him to relocate east and set up an independent metal workshop within Knoll's production facility, giving him complete creative freedom. The resulting wire chair collection, introduced in 1952, became one of the most recognized achievements of twentieth-century design. Royalties from the collection allowed Bertoia to dedicate the rest of his career to large-scale metal sculpture, including commissions for the General Motors Technical Center and the MIT Chapel altar. His honors include the AIA Gold Medal and Designer of the Year, USA, 1955. Knoll is part of the MillerKnoll collective.
Care Instructions
Polished Chrome Frame: Under normal use, the structural steel framework is fully concealed beneath the upholstered cover. No direct chrome maintenance is required during routine use. If the cover is completely removed for professional cleaning or reupholstery, clean the exposed wire rods with a soft damp cloth and mild soap; dry immediately. Avoid solvents or abrasive pads.
Upholstered Fabric Cover: Vacuum or brush the surface periodically to remove settling dust, paying close attention to the curved structural seams where the fabric contours closely to the frame. Spot-clean marks using a fabric-appropriate agent; always test an inconspicuous spot first. Blot gently instead of rubbing aggressively. Avoid prolonged exposure to direct intense sunlight.
Upholstered Leather Cover: Dust routinely with a dry or very lightly damp soft microfibre cloth. Address surface marks using dedicated premium leather cleaners, applying gently. Condition periodically with high-quality leather cream. Do not use household dish soaps, alcohols, or strong industrial solvents.
Sustainability & Commitment
The Bertoia Bird Chair carries official GREENGUARD Indoor Air Quality Certification, supporting interior health standards through strictly verified low chemical emissions profiles.
Knoll operates clean, forward-thinking manufacturing infrastructures as a core brand within the ISO 14001 certified MillerKnoll collective.
Warranty terms: Please connect directly with our regional client support team in Almaty for detailed individual terms and warranty parameters regarding local residential or commercial procurement.
Dimensions & Weight
Frame & Architecture
Upholstery & Provenance
The sculptural anchor chair. Designed to be the focal point of a room, its high winged 40.25"H silhouette and generous footprint command a magnificent presence while keeping spaces visually open.
With a low 14.5" seat height, it settles the body into a deep, reclined position. The organic wings of the back curl elegantly around the shoulders, creating an intimate sense of privacy.
A single Bird Chair paired with its matching ottoman forms a commanding, sophisticated design statement in premium offices or high-end reception spaces, communicating design seriousness instantly.
Exhibited globally and held in permanent collections like the Art Institute of Chicago. An essential piece for design-led cultural institutions where furniture-as-sculpture governs.
Bertoia described the evolution of his chair forms as a process of discovery rather than design: shapes that began as one idea β a side chair β gradually extended "to care of the head," as he put it, until something emerged that could be held onto, considered, and refined. The Bird Chair is the furthest extension of that process within the 1952 collection β the form where the welded-rod lattice stops resembling furniture geometry altogether and becomes something closer to a winged, settling creature. The fully upholstered cover, stretched precisely over the sculptural frame, transforms the open transparency of the Side Chair and Diamond Chair into something closed and enveloping: rather than seeing through the chair, as with Bertoia's bare-wire pieces, the sitter and the viewer both experience the Bird Chair as solid sculptural mass. At 21 lbs the chair has genuine physical presence without being difficult to reposition. The matching ottoman β designed as a companion but fully capable as an independent stool or footrest β extends the seating arrangement without requiring the full footprint of a second chair. Held today in the permanent collection of the Art Institute of Chicago, the Bird Chair stands as one of the clearest demonstrations of how Bertoia's background as a sculptor shaped every decision in his furniture practice.
Harry Bertoia (1915β1978) was born in San Lorenzo, Italy, and immigrated to Detroit at age 15. He studied at the Detroit Technical High School, the Detroit School of Arts and Crafts, and Cranbrook Academy of Art, where he later taught metalcraft and jewelry design and formed close friendships with Eero Saarinen, Charles and Ray Eames, and Florence Schust (later Florence Knoll). In 1943 he moved to California to help the Eameses develop their molded plywood furniture techniques β a contribution that has historically received little public credit. Florence and Hans Knoll later persuaded him to relocate east and set up an independent metal workshop within Knoll's production facility, giving him complete creative freedom. The resulting wire chair collection, introduced in 1952, became one of the most recognized achievements of twentieth-century design. Royalties from the collection allowed Bertoia to dedicate the rest of his career to large-scale metal sculpture, including commissions for the General Motors Technical Center and the MIT Chapel altar. His honors include the AIA Gold Medal and Designer of the Year, USA, 1955. Knoll is part of the MillerKnoll collective.
Care Instructions
Polished Chrome Frame: Under normal use, the structural steel framework is fully concealed beneath the upholstered cover. No direct chrome maintenance is required during routine use. If the cover is completely removed for professional cleaning or reupholstery, clean the exposed wire rods with a soft damp cloth and mild soap; dry immediately. Avoid solvents or abrasive pads.
Upholstered Fabric Cover: Vacuum or brush the surface periodically to remove settling dust, paying close attention to the curved structural seams where the fabric contours closely to the frame. Spot-clean marks using a fabric-appropriate agent; always test an inconspicuous spot first. Blot gently instead of rubbing aggressively. Avoid prolonged exposure to direct intense sunlight.
Upholstered Leather Cover: Dust routinely with a dry or very lightly damp soft microfibre cloth. Address surface marks using dedicated premium leather cleaners, applying gently. Condition periodically with high-quality leather cream. Do not use household dish soaps, alcohols, or strong industrial solvents.
Sustainability & Commitment
The Bertoia Bird Chair carries official GREENGUARD Indoor Air Quality Certification, supporting interior health standards through strictly verified low chemical emissions profiles.
Knoll operates clean, forward-thinking manufacturing infrastructures as a core brand within the ISO 14001 certified MillerKnoll collective.
Warranty terms: Please connect directly with our regional client support team in Almaty for detailed individual terms and warranty parameters regarding local residential or commercial procurement.
Π Π°Π·ΠΌΠ΅ΡΡ ΠΈ Π²Π΅Ρ
ΠΠ°ΡΠΊΠ°Ρ ΠΈ Π°ΡΡ ΠΈΡΠ΅ΠΊΡΡΡΠ°
ΠΠ±ΠΈΠ²ΠΊΠ° ΠΈ ΠΏΡΠΎΠΈΡΡ ΠΎΠΆΠ΄Π΅Π½ΠΈΠ΅
Π‘ΠΊΡΠ»ΡΠΏΡΡΡΠ½ΡΠΉ Π²ΠΈΠ·ΡΠ°Π»ΡΠ½ΡΠΉ ΡΠ΅Π½ΡΡ. Π‘ΠΎΠ·Π΄Π°Π½Π½ΠΎΠ΅, ΡΡΠΎΠ±Ρ Π΄ΠΎΠΌΠΈΠ½ΠΈΡΠΎΠ²Π°ΡΡ Π² ΠΈΠ½ΡΠ΅ΡΡΠ΅ΡΠ΅, ΠΊΡΠ΅ΡΠ»ΠΎ Bird Ρ Π²ΡΡΠΎΠΊΠΎΠΉ ΠΊΡΡΠ»Π°ΡΠΎΠΉ ΡΠΏΠΈΠ½ΠΊΠΎΠΉ (102.2 ΡΠΌ) ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠΉ ΠΌΠΎΠ½ΡΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΡΡΡΡ, ΠΎΠ΄Π½ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ ΡΠ°Π±ΠΎΡΠ°Ρ ΠΊΠ°ΠΊ Π°ΡΡ-ΠΎΠ±ΡΠ΅ΠΊΡ ΠΈ ΡΠΎΡΠΊΠΎΡΠ½ΠΎΠ΅ ΠΌΠ΅ΡΡΠΎ ΠΎΡΠ΄ΡΡ Π°.
ΠΠΈΠ·ΠΊΠ°Ρ ΠΏΠΎΡΠ°Π΄ΠΊΠ° (36.8 ΡΠΌ) Π³Π»ΡΠ±ΠΆΠ΅, ΡΠ΅ΠΌ Ρ ΠΊΡΠ΅ΡΠ»Π° Diamond, ΠΈ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π·Π°Π½ΡΡΡ ΠΏΠΎΠ»ΡΠ»Π΅ΠΆΠ°ΡΠ΅Π΅ ΠΏΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅. Β«ΠΡΡΠ»ΡΡΒ» ΡΠΏΠΈΠ½ΠΊΠΈ Π΄Π΅Π»ΠΈΠΊΠ°ΡΠ½ΠΎ ΠΎΠ³ΠΈΠ±Π°ΡΡ ΠΏΠ»Π΅ΡΠΈ, ΡΠΎΠ·Π΄Π°Π²Π°Ρ ΡΡΡΠ½ΠΎΠ΅ ΡΠ΅Π΄ΠΈΠ½Π΅Π½ΠΈΠ΅ ΠΏΠΎΡΡΠ΅Π΄ΠΈ ΠΎΡΠΊΡΡΡΠΎΠΉ ΠΊΠΎΠΌΠ½Π°ΡΡ.
ΠΡΠ΅ΡΠ»ΠΎ Bird Π² ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ΅ ΡΠΎ ΡΠ²ΠΎΠΈΠΌ ΠΏΡΡΠΎΠΌ (ΠΎΡΡΠΎΠΌΠ°Π½ΠΊΠΎΠΉ) ΡΠΎΡΠΌΠΈΡΡΠ΅Ρ ΡΠ°ΠΌΠΎΠ΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΡΠΉ Π°Π½ΡΠ°ΠΌΠ±Π»Ρ Π² ΡΠ΅ΡΠΏΠ΅ΠΊΡΠ°Π±Π΅Π»ΡΠ½ΡΡ ΠΎΡΠΈΡΠ°Ρ ΠΈΠ»ΠΈ ΠΏΡΠΈΠ΅ΠΌΠ½ΡΡ , ΠΌΠ³Π½ΠΎΠ²Π΅Π½Π½ΠΎ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°Ρ Π±Π΅ΡΠΊΠΎΠΌΠΏΡΠΎΠΌΠΈΡΡΠ½ΡΠΉ ΡΡΠ°ΡΡΡ ΠΈ Π²ΠΊΡΡ Π²Π»Π°Π΄Π΅Π»ΡΡΠ°.
ΠΠΊΡΠΏΠΎΠ½Π°Ρ ΠΠ½ΡΡΠΈΡΡΡΠ° ΠΈΡΠΊΡΡΡΡΠ² Π§ΠΈΠΊΠ°Π³ΠΎ ΠΈ ΡΠΈΠΌΠ²ΠΎΠ» Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΎΠ³ΠΎ ΠΌΠΎΠ΄Π΅ΡΠ½ΠΈΠ·ΠΌΠ° mid-century. ΠΠ΄Π΅Π°Π»ΡΠ½ΠΎΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π΄Π»Ρ ΠΊΡΠ»ΡΡΡΡΠ½ΡΡ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ² ΠΈ ΡΠ°ΡΡΠ½ΡΡ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΉ, ΠΏΠΎΡΡΡΠΎΠ΅Π½Π½ΡΡ Π½Π° ΠΏΡΠΈΠ½ΡΠΈΠΏΠ°Ρ ΡΠ»ΠΈΡΠ½ΠΈΡ ΠΌΠ΅Π±Π΅Π»ΠΈ ΠΈ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ.
ΠΠ΅ΡΡΠΎΠΉΡ ΠΎΠΏΠΈΡΡΠ²Π°Π» ΡΠ²ΠΎΠ»ΡΡΠΈΡ ΡΠΎΠ·Π΄Π°Π½Π½ΡΡ ΠΈΠΌ ΡΡΡΠ»ΡΠ΅Π² ΠΈ ΠΊΡΠ΅ΡΠ΅Π» ΠΊΠ°ΠΊ ΠΏΡΠΎΡΠ΅ΡΡ ΠΏΠΎΡΡΠ΅ΠΏΠ΅Π½Π½ΠΎΠ³ΠΎ ΠΎΡΠΊΡΡΡΠΈΡ, Π° Π½Π΅ ΡΠ΅Π»Π΅Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½Π½ΠΎΠ³ΠΎ ΠΏΡΠΎΠ΅ΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΡ: ΡΠΎΡΠΌΡ, Π·Π°ΡΠΎΠ΄ΠΈΠ²ΡΠΈΠ΅ΡΡ ΠΊΠ°ΠΊ ΠΏΡΠΎΡΡΠ°Ρ ΠΈΠ΄Π΅Ρ ΠΎΠ±Π΅Π΄Π΅Π½Π½ΠΎΠ³ΠΎ ΡΡΡΠ»Π°, ΡΠΎ Π²ΡΠ΅ΠΌΠ΅Π½Π΅ΠΌ ΡΠ°Π·Π²ΠΈΠ²Π°Π»ΠΈΡΡ, Β«ΡΡΠΎΠ±Ρ Π΄Π°ΡΡ ΠΎΠΏΠΎΡΡ Π³ΠΎΠ»ΠΎΠ²Π΅Β», ΠΊΠ°ΠΊ Π²ΡΡΠ°ΠΆΠ°Π»ΡΡ ΡΠ°ΠΌ Π°Π²ΡΠΎΡ, ΠΏΠΎΠΊΠ° ΠΈΠ· ΠΌΠ΅ΡΠ°Π»Π»Π° Π½Π΅ ΡΠΎΠΆΠ΄Π°Π»ΠΎΡΡ Π½Π΅ΡΡΠΎ ΡΠ΅Π»ΡΠ½ΠΎΠ΅, ΡΡΠ΅Π±ΡΡΡΠ΅Π΅ Π³Π»ΡΠ±ΠΎΠΊΠΎΠ³ΠΎ ΠΎΡΠΌΡΡΠ»Π΅Π½ΠΈΡ. ΠΡΠ΅ΡΠ»ΠΎ Bird (Β«ΠΡΠΈΡΠ°Β») ΡΡΠ°Π»ΠΎ Π²Π΅ΡΡΠΈΠ½ΠΎΠΉ ΡΡΠΎΠ³ΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠ° Π² ΡΠ°ΠΌΠΊΠ°Ρ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΈ 1952 Π³ΠΎΠ΄Π° β ΡΠΎΡΠΌΠΎΠΉ, Π³Π΄Π΅ ΡΠ²Π°ΡΠ½Π°Ρ ΡΠ΅ΡΠ΅ΡΠΊΠ° ΠΎΠΊΠΎΠ½ΡΠ°ΡΠ΅Π»ΡΠ½ΠΎ ΠΏΠ΅ΡΠ΅ΡΡΠ°Π΅Ρ Π½Π°ΠΏΠΎΠΌΠΈΠ½Π°ΡΡ ΠΏΡΠΈΠ²ΡΡΠ½ΡΡ ΠΌΠ΅Π±Π΅Π»ΡΠ½ΡΡ Π³Π΅ΠΎΠΌΠ΅ΡΡΠΈΡ ΠΈ ΠΏΡΠ΅Π²ΡΠ°ΡΠ°Π΅ΡΡΡ Π² ΠΏΠΎΠ΄ΠΎΠ±ΠΈΠ΅ ΠΊΡΡΠ»Π°ΡΠΎΠ³ΠΎ, ΠΏΠ»Π°Π²Π½ΠΎ ΠΏΡΠΈΠ·Π΅ΠΌΠ»ΡΡΡΠ΅Π³ΠΎΡΡ ΡΡΡΠ΅ΡΡΠ²Π°. ΠΠΎΠ»Π½Π°Ρ ΡΠΊΠ°Π½Π΅Π²Π°Ρ ΠΎΠ±ΠΈΠ²ΠΊΠ°, ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎ Π½Π°ΡΡΠ½ΡΡΠ°Ρ ΠΏΠΎΠ²Π΅ΡΡ ΡΠ»ΠΎΠΆΠ½ΠΎΠ³ΠΎ ΠΊΠ°ΡΠΊΠ°ΡΠ°, ΡΡΠ°Π½ΡΡΠΎΡΠΌΠΈΡΡΠ΅Ρ ΡΠΊΠ²ΠΎΠ·Π½ΡΡ ΠΏΡΠΎΠ·ΡΠ°ΡΠ½ΠΎΡΡΡ ΡΡΡΠ»ΡΠ΅Π² Side ΠΈ Diamond Π² Π½Π΅ΡΡΠΎ ΠΌΠΎΠ½ΠΎΠ»ΠΈΡΠ½ΠΎΠ΅ ΠΈ ΠΎΠ±Π²ΠΎΠ»Π°ΠΊΠΈΠ²Π°ΡΡΠ΅Π΅: Π²ΠΌΠ΅ΡΡΠΎ ΡΠΎΠ³ΠΎ ΡΡΠΎΠ±Ρ Π²ΠΈΠ΄Π΅ΡΡ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²ΠΎ Π½Π°ΡΠΊΠ²ΠΎΠ·Ρ ΡΠΊΠ²ΠΎΠ·Ρ ΠΏΡΡΡΡΡ, ΠΈ ΡΠΈΠ΄ΡΡΠΈΠΉ, ΠΈ Π½Π°Π±Π»ΡΠ΄Π°ΡΠ΅Π»Ρ Π²ΠΎΡΠΏΡΠΈΠ½ΠΈΠΌΠ°ΡΡ ΠΊΡΠ΅ΡΠ»ΠΎ Bird ΠΊΠ°ΠΊ ΠΏΠ»ΠΎΡΠ½ΡΡ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΡΡ ΠΌΠ°ΡΡΡ. ΠΡΠΈ Π²Π΅ΡΠ΅ 21 ΡΡΠ½Ρ (9.5 ΠΊΠ³) ΠΊΡΠ΅ΡΠ»ΠΎ ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ Π²Π΅ΡΠΎΠΌΡΠΌ ΡΠΈΠ·ΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΏΡΠΈΡΡΡΡΡΠ²ΠΈΠ΅ΠΌ, ΠΎΡΡΠ°Π²Π°ΡΡΡ ΠΏΡΠΈ ΡΡΠΎΠΌ ΡΠ΄ΠΎΠ±Π½ΡΠΌ Π΄Π»Ρ ΠΏΠ΅ΡΠ΅ΠΌΠ΅ΡΠ΅Π½ΠΈΡ. ΠΠΎΠΏΠΎΠ»Π½ΡΡΡΠΈΠΉ Π΅Π³ΠΎ ΠΏΡΡ β ΡΠΎΠ·Π΄Π°Π½Π½ΡΠΉ ΠΊΠ°ΠΊ ΠΊΠΎΠΌΠΏΠ°Π½ΡΠΎΠ½, Π½ΠΎ ΡΠΏΠΎΡΠΎΠ±Π½ΡΠΉ ΡΠ»ΡΠΆΠΈΡΡ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΡΠΌ ΡΠΈΠ΄Π΅Π½ΡΠ΅ΠΌ β ΡΠ°ΡΡΠΈΡΡΠ΅Ρ Π·ΠΎΠ½Ρ ΠΎΡΠ΄ΡΡ Π° Π±Π΅Π· Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎΡΡΠΈ ΡΠ°Π·ΠΌΠ΅ΡΠ΅Π½ΠΈΡ Π³ΡΠΎΠΌΠΎΠ·Π΄ΠΊΠΎΠ³ΠΎ Π²ΡΠΎΡΠΎΠ³ΠΎ ΠΊΡΠ΅ΡΠ»Π°. ΠΠ°Ρ ΠΎΠ΄ΡΡΡ ΡΠ΅Π³ΠΎΠ΄Π½Ρ Π² ΠΏΠΎΡΡΠΎΡΠ½Π½ΠΎΠΉ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΈ ΠΠ½ΡΡΠΈΡΡΡΠ° ΠΈΡΠΊΡΡΡΡΠ² Π§ΠΈΠΊΠ°Π³ΠΎ, ΠΊΡΠ΅ΡΠ»ΠΎ Bird ΡΠ»ΡΠΆΠΈΡ Π½Π°Π³Π»ΡΠ΄Π½ΡΠΌ ΠΏΠΎΠ΄ΡΠ²Π΅ΡΠΆΠ΄Π΅Π½ΠΈΠ΅ΠΌ ΡΠΎΠ³ΠΎ, ΠΊΠ°ΠΊ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΠΎΠ΅ ΠΏΡΠΎΡΠ»ΠΎΠ΅ ΠΠ΅ΡΡΠΎΠΉΠΈ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΠ»ΠΎ ΠΊΠ°ΠΆΠ΄ΠΎΠ΅ Π΅Π³ΠΎ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π² ΠΌΠ΅Π±Π΅Π»ΡΠ½ΠΎΠΌ Π΄ΠΈΠ·Π°ΠΉΠ½Π΅.
ΠΠ°ΡΡΠΈ ΠΠ΅ΡΡΠΎΠΉΡ (1915β1978) ΡΠΎΠ΄ΠΈΠ»ΡΡ Π² Π‘Π°Π½-ΠΠΎΡΠ΅Π½ΡΠΎ, Italy, ΠΈ Π² Π²ΠΎΠ·ΡΠ°ΡΡΠ΅ 15 Π»Π΅Ρ ΠΈΠΌΠΌΠΈΠ³ΡΠΈΡΠΎΠ²Π°Π» Π² ΠΠ΅ΡΡΠΎΠΉΡ. ΠΠ±ΡΡΠ°Π»ΡΡ Π² ΠΡΡΠ½Π±ΡΡΠΊΡΠΊΠΎΠΉ Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΠΈ ΠΈΡΠΊΡΡΡΡΠ², Π³Π΄Π΅ ΠΏΠΎΠ·ΠΆΠ΅ ΠΏΡΠ΅ΠΏΠΎΠ΄Π°Π²Π°Π» Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΡ ΠΌΠ΅ΡΠ°Π»Π»Π° ΠΈ Π΄ΠΈΠ·Π°ΠΉΠ½ ΡΠ²Π΅Π»ΠΈΡΠ½ΡΡ ΠΈΠ·Π΄Π΅Π»ΠΈΠΉ, ΡΠ±Π»ΠΈΠ·ΠΈΠ²ΡΠΈΡΡ Ρ ΠΡΡΠΎ Π‘Π°Π°ΡΠΈΠ½Π΅Π½ΠΎΠΌ, Π§Π°ΡΠ»ΡΠ·ΠΎΠΌ ΠΈ Π ΡΠΉ ΠΠΌΠ·, Π° ΡΠ°ΠΊΠΆΠ΅ Π€Π»ΠΎΡΠ΅Π½Ρ Π¨ΡΡΡ (Π² Π·Π°ΠΌΡΠΆΠ΅ΡΡΠ²Π΅ Π€Π»ΠΎΡΠ΅Π½Ρ ΠΠΎΠ»Π»). Π 1943 Π³ΠΎΠ΄Ρ ΠΏΠ΅ΡΠ΅Π΅Ρ Π°Π» Π² ΠΠ°Π»ΠΈΡΠΎΡΠ½ΠΈΡ, ΡΡΠΎΠ±Ρ ΠΏΠΎΠΌΠΎΡΡ ΡΡΠΏΡΡΠ³Π°ΠΌ ΠΠΌΠ· Π² ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΠ΅ ΡΠ΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ ΡΠΎΡΠΌΠΎΠ²Π°Π½Π½ΠΎΠΉ ΡΠ°Π½Π΅ΡΡ β Π²ΠΊΠ»Π°Π΄, ΠΊΠΎΡΠΎΡΡΠΉ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈ ΡΠ΅Π΄ΠΊΠΎ ΡΠΏΠΎΠΌΠΈΠ½Π°Π»ΡΡ ΠΏΡΠ±Π»ΠΈΡΠ½ΠΎ. ΠΠΎΠ·ΠΆΠ΅ Π€Π»ΠΎΡΠ΅Π½Ρ ΠΈ Π₯Π°Π½Ρ ΠΠΎΠ»Π» ΡΠ±Π΅Π΄ΠΈΠ»ΠΈ Π΅Π³ΠΎ ΠΏΠ΅ΡΠ΅Π΅Ρ Π°ΡΡ Π½Π° Π²ΠΎΡΡΠΎΠΊ ΠΈ ΠΎΡΠΊΡΡΡΡ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΡΡ ΠΌΠ΅ΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΡΡ ΠΌΠ°ΡΡΠ΅ΡΡΠΊΡΡ Π½Π° Π±Π°Π·Π΅ ΡΠ°Π±ΡΠΈΠΊΠΈ Knoll, ΠΏΡΠ΅Π΄ΠΎΡΡΠ°Π²ΠΈΠ² Π΅ΠΌΡ ΠΏΠΎΠ»Π½ΡΡ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΡΡ ΡΠ²ΠΎΠ±ΠΎΠ΄Ρ. Π Π΅Π·ΡΠ»ΡΡΠ°ΡΠΎΠΌ ΡΡΠ°Π»Π° ΠΊΡΠ»ΡΡΠΎΠ²Π°Ρ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΡ ΠΏΡΠΎΠ²ΠΎΠ»ΠΎΡΠ½ΠΎΠΉ ΠΌΠ΅Π±Π΅Π»ΠΈ 1952 Π³ΠΎΠ΄Π° β Π΅Π΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½Π°Ρ ΠΌΠ΅Π±Π΅Π»ΡΠ½Π°Ρ ΡΠ΅ΡΠΈΡ Π² Π΅Π³ΠΎ ΠΊΠ°ΡΡΠ΅ΡΠ΅ ΠΈ ΠΎΠ΄Π½ΠΎ ΠΈΠ· ΡΠ°ΠΌΡΡ Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΡΡ Π΄ΠΎΡΡΠΈΠΆΠ΅Π½ΠΈΠΉ Π² Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ XX Π²Π΅ΠΊΠ°. Π ΠΎΡΠ»ΡΠΈ ΠΎΡ Π΅Π΅ ΠΏΡΠΎΠ΄Π°ΠΆ ΠΏΠΎΠ·Π²ΠΎΠ»ΠΈΠ»ΠΈ ΠΠ΅ΡΡΠΎΠΉΠ΅ ΠΏΠΎΡΠ²ΡΡΠΈΡΡ Π²ΡΡ ΠΎΡΡΠ°Π²ΡΡΡΡΡ ΠΆΠΈΠ·Π½Ρ ΠΌΠΎΠ½ΡΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΌΠ΅ΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ΅ (Π²ΠΊΠ»ΡΡΠ°Ρ ΡΠΊΡΠ°Π½ Π΄Π»Ρ Π’Π΅Ρ Π½ΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΠ΅Π½ΡΡΠ° General Motors ΠΈ Π°Π»ΡΠ°ΡΡ ΠΊΠ°ΠΏΠ΅Π»Π»Ρ MIT). ΠΠ°ΡΡΠ΅Π°Ρ ΠΠΎΠ»ΠΎΡΠΎΠΉ ΠΌΠ΅Π΄Π°Π»ΠΈ AIA ΠΈ Π·Π²Π°Π½ΠΈΡ Β«ΠΠΈΠ·Π°ΠΉΠ½Π΅Ρ Π³ΠΎΠ΄Π° Π² Π‘Π¨ΠΒ» (1955). ΠΡΠ΅Π½Π΄ Knoll Π²Ρ ΠΎΠ΄ΠΈΡ Π² ΡΠΎΡΡΠ°Π² ΡΠΎΡΠ·Π° MillerKnoll.
ΠΠ½ΡΡΡΡΠΊΡΠΈΠΈ ΠΏΠΎ ΡΡ ΠΎΠ΄Ρ
Π₯ΡΠΎΠΌΠΈΡΠΎΠ²Π°Π½Π½ΡΠΉ ΠΊΠ°ΡΠΊΠ°Ρ: ΠΡΠΈ ΠΎΠ±ΡΡΠ½ΠΎΠΉ ΡΠΊΡΠΏΠ»ΡΠ°ΡΠ°ΡΠΈΠΈ ΠΌΠ΅ΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΠΈΠΉ Π½Π΅ΡΡΡΠΈΠΉ ΠΎΡΡΠΎΠ² ΠΏΠΎΠ»Π½ΠΎΡΡΡΡ ΡΠΊΡΡΡ ΠΏΠΎΠ΄ ΠΌΡΠ³ΠΊΠΈΠΌ ΠΎΠ±ΠΈΠ²ΠΎΡΠ½ΡΠΌ ΡΠ΅Ρ Π»ΠΎΠΌ. ΠΠΎΡΡΠΎΡΠ½Π½ΠΎΠ³ΠΎ ΠΏΡΡΠΌΠΎΠ³ΠΎ ΡΡ ΠΎΠ΄Π° Π·Π° Ρ ΡΠΎΠΌΠΎΠΌ Π² ΠΏΡΠΎΡΠ΅ΡΡΠ΅ ΡΠΊΡΠΏΠ»ΡΠ°ΡΠ°ΡΠΈΠΈ Π½Π΅ ΡΡΠ΅Π±ΡΠ΅ΡΡΡ. Π ΡΠ»ΡΡΠ°Π΅ ΠΏΠΎΠ»Π½ΠΎΠ³ΠΎ ΡΠ½ΡΡΠΈΡ ΡΠ΅Ρ Π»Π° Π΄Π»Ρ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ Ρ ΠΈΠΌΡΠΈΡΡΠΊΠΈ ΠΈΠ»ΠΈ ΠΏΠ΅ΡΠ΅ΡΡΠΆΠΊΠΈ, ΠΎΡΠΈΡΠ°ΠΉΡΠ΅ ΠΎΡΠΊΡΡΡΡΠ΅ ΡΡΠ°Π»ΡΠ½ΡΠ΅ ΠΏΡΡΡΡΡ ΠΌΡΠ³ΠΊΠΎΠΉ Π²Π»Π°ΠΆΠ½ΠΎΠΉ ΡΠΊΠ°Π½ΡΡ Ρ Π΄Π΅Π»ΠΈΠΊΠ°ΡΠ½ΡΠΌ ΠΌΡΠ»ΠΎΠΌ ΠΈ ΡΡΠ°Π·Ρ Π²ΡΡΠΈΡΠ°ΠΉΡΠ΅ Π½Π°ΡΡΡ ΠΎ. ΠΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠΉΡΠ΅ ΡΠ°ΡΡΠ²ΠΎΡΠΈΡΠ΅Π»ΠΈ ΠΈΠ»ΠΈ Π°Π±ΡΠ°Π·ΠΈΠ²Ρ.
Π’Π΅ΠΊΡΡΠΈΠ»ΡΠ½ΡΠΉ ΡΠ΅Ρ ΠΎΠ»: Π Π΅Π³ΡΠ»ΡΡΠ½ΠΎ ΠΎΡΠΈΡΠ°ΠΉΡΠ΅ ΠΏΠΎΠ²Π΅ΡΡ Π½ΠΎΡΡΡ ΠΏΡΠ»Π΅ΡΠΎΡΠΎΠΌ ΠΈΠ»ΠΈ ΠΌΡΠ³ΠΊΠΎΠΉ ΡΠ΅ΡΠΊΠΎΠΉ Π΄Π»Ρ ΡΠ΄Π°Π»Π΅Π½ΠΈΡ ΠΏΡΠ»ΠΈ, ΡΠ΄Π΅Π»ΡΡ ΠΎΡΠΎΠ±ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π³Π»ΡΠ±ΠΎΠΊΠΈΠΌ ΠΈΠ·ΠΎΠ³Π½ΡΡΡΠΌ ΡΠ²Π°ΠΌ, Π³Π΄Π΅ ΡΠΊΠ°Π½Ρ ΠΏΠ»ΠΎΡΠ½ΠΎ ΠΎΠ±Π»Π΅Π³Π°Π΅Ρ ΡΠ»ΠΎΠΆΠ½ΡΠΉ ΠΊΠ°ΡΠΊΠ°Ρ. ΠΡΡΠ½Π° ΡΠ΄Π°Π»ΡΠΉΡΠ΅ ΡΠΏΠ΅ΡΠΈΠ°Π»ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌΠΈ ΡΡΠ΅Π΄ΡΡΠ²Π°ΠΌΠΈ Π΄Π»Ρ ΠΌΠ΅Π±Π΅Π»ΡΠ½ΡΡ ΡΠΊΠ°Π½Π΅ΠΉ, ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΠ½ΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠΈΡΠΎΠ²Π°Π² ΠΈΡ Π½Π° Π½Π΅Π·Π°ΠΌΠ΅ΡΠ½ΠΎΠΌ ΡΡΠ°ΡΡΠΊΠ΅ ΠΊΠ°ΡΠΊΠ°ΡΠ°. ΠΡΠΎΠΌΠ°ΠΊΠΈΠ²Π°ΠΉΡΠ΅ Π·Π°Π³ΡΡΠ·Π½Π΅Π½ΠΈΡ, ΠΈΠ·Π±Π΅Π³Π°Ρ ΠΆΠ΅ΡΡΠΊΠΎΠ³ΠΎ ΡΡΠ΅Π½ΠΈΡ. ΠΠ°ΡΠΈΡΠ°ΠΉΡΠ΅ ΠΎΡ Π΄Π»ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ Π²ΠΎΠ·Π΄Π΅ΠΉΡΡΠ²ΠΈΡ ΠΏΡΡΠΌΡΡ ΡΠΎΠ»Π½Π΅ΡΠ½ΡΡ Π»ΡΡΠ΅ΠΉ.
ΠΠΎΠΆΠ°Π½ΡΠΉ ΡΠ΅Ρ ΠΎΠ»: ΠΡΠΎΡΠΈΡΠ°ΠΉΡΠ΅ ΡΡΡ ΠΎΠΉ ΠΈΠ»ΠΈ Π΅Π΄Π²Π° Π²Π»Π°ΠΆΠ½ΠΎΠΉ ΠΌΡΠ³ΠΊΠΎΠΉ ΡΠ°Π»ΡΠ΅ΡΠΊΠΎΠΉ Π² ΡΠ°ΠΌΠΊΠ°Ρ Π΅ΠΆΠ΅Π½Π΅Π΄Π΅Π»ΡΠ½ΠΎΠΉ ΡΠ±ΠΎΡΠΊΠΈ. ΠΡΡΠ½Π° ΡΠ΄Π°Π»ΡΠΉΡΠ΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΠΌΠΈ ΠΎΡΠΈΡΡΠΈΡΠ΅Π»ΡΠΌΠΈ Π΄Π»Ρ Π½Π°ΡΡΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΊΠΎΠΆΠΈ, Π΄Π΅ΠΉΡΡΠ²ΡΡ ΠΌΡΠ³ΠΊΠΎ. ΠΠ΅ΡΠΈΠΎΠ΄ΠΈΡΠ΅ΡΠΊΠΈ ΠΎΠ±ΡΠ°Π±Π°ΡΡΠ²Π°ΠΉΡΠ΅ ΠΏΠΎΠ²Π΅ΡΡ Π½ΠΎΡΡΡ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠΌ ΠΊΠΎΠ½Π΄ΠΈΡΠΈΠΎΠ½Π΅ΡΠΎΠΌ Π΄Π»Ρ ΠΊΠΎΠΆΠΈ. ΠΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ Π±ΡΡΠΎΠ²ΠΎΠΉ Ρ ΠΈΠΌΠΈΠΈ, ΡΠΏΠΈΡΡΠΎΡΠΎΠ΄Π΅ΡΠΆΠ°ΡΠΈΡ ΡΠΎΡΡΠ°Π²ΠΎΠ² ΠΈΠ»ΠΈ Π°Π³ΡΠ΅ΡΡΠΈΠ²Π½ΡΡ ΡΠ°ΡΡΠ²ΠΎΡΠΈΡΠ΅Π»Π΅ΠΉ Π·Π°ΠΏΡΠ΅ΡΠ΅Π½ΠΎ.
ΠΠΊΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΌΠ°Π½ΠΈΡΠ΅ΡΡ
ΠΠ½ΡΠ΅ΡΡΠ΅ΡΠ½ΠΎΠ΅ ΠΊΡΠ΅ΡΠ»ΠΎ Bird ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎ ΡΠ΅ΡΡΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½ΠΎ ΠΏΠΎ Π°Π²ΡΠΎΡΠΈΡΠ΅ΡΠ½ΠΎΠΌΡ ΡΡΠ°Π½Π΄Π°ΡΡΡ GREENGUARD, Π³Π°ΡΠ°Π½ΡΠΈΡΡΡΡΠ΅ΠΌΡ ΡΠΈΡΡΠΎΡΡ Π²Π½ΡΡΡΠ΅Π½Π½Π΅ΠΉ ΠΆΠΈΠ»ΠΎΠΉ ΡΡΠ΅Π΄Ρ ΠΈ ΠΎΡΡΡΡΡΡΠ²ΠΈΠ΅ Π²ΡΠ΅Π΄Π½ΡΡ Π»Π΅ΡΡΡΠΈΡ Ρ ΠΈΠΌΠΈΡΠ΅ΡΠΊΠΈΡ ΠΈΡΠΏΠ°ΡΠ΅Π½ΠΈΠΉ.
Knoll ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡ ΠΌΠ΅Π±Π΅Π»Ρ Π² ΡΠ°ΠΌΠΊΠ°Ρ ΠΊΠΎΠ½ΡΠ΅ΠΏΡΠΈΠΈ Π±Π΅ΡΠ΅ΠΆΠ½ΠΎΠ³ΠΎ ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΡ ΠΊ ΠΏΡΠΈΡΠΎΠ΄Π΅, ΡΡΠ½ΠΊΡΠΈΠΎΠ½ΠΈΡΡΡ Π²Π½ΡΡΡΠΈ Π³Π»ΠΎΠ±Π°Π»ΡΠ½ΠΎΠ³ΠΎ ΡΠΎΡΠ·Π° MillerKnoll, ΡΠ΅ΡΡΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠ³ΠΎ ΠΏΠΎ ΡΡΠ°Π½Π΄Π°ΡΡΡ ΡΠΊΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΌΠ΅Π½Π΅Π΄ΠΆΠΌΠ΅Π½ΡΠ° ISO 14001.
ΠΠ°ΡΠ°Π½ΡΠΈΠΉΠ½ΡΠ΅ ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΡΡΠ²Π°: ΠΠ»Ρ ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΡ Π΄Π΅ΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΈ ΠΏΠΎ ΡΡΠ»ΠΎΠ²ΠΈΡΠΌ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ°Π±ΡΠΈΡΠ½ΠΎΠΉ Π³Π°ΡΠ°Π½ΡΠΈΠΈ ΠΈ ΡΠ΅ΡΠ²ΠΈΡΠ½ΠΎΠΌΡ ΡΠΎΠΏΡΠΎΠ²ΠΎΠΆΠ΄Π΅Π½ΠΈΡ Π½Π° ΡΠ΅ΡΡΠΈΡΠΎΡΠΈΠΈ ΠΠ°Π·Π°Ρ ΡΡΠ°Π½Π°, ΠΏΠΎΠΆΠ°Π»ΡΠΉΡΡΠ°, ΡΠ²ΡΠΆΠΈΡΠ΅ΡΡ Π½Π°ΠΏΡΡΠΌΡΡ Ρ Π½Π°ΡΠ΅ΠΉ ΠΊΠΎΠΌΠ°Π½Π΄ΠΎΠΉ Π² ΠΠ»ΠΌΠ°ΡΡ.
Π Π°Π·ΠΌΠ΅ΡΡ ΠΈ Π²Π΅Ρ
ΠΠ°ΡΠΊΠ°Ρ ΠΈ Π°ΡΡ ΠΈΡΠ΅ΠΊΡΡΡΠ°
ΠΠ±ΠΈΠ²ΠΊΠ° ΠΈ ΠΏΡΠΎΠΈΡΡ ΠΎΠΆΠ΄Π΅Π½ΠΈΠ΅
Π‘ΠΊΡΠ»ΡΠΏΡΡΡΠ½ΡΠΉ Π²ΠΈΠ·ΡΠ°Π»ΡΠ½ΡΠΉ ΡΠ΅Π½ΡΡ. Π‘ΠΎΠ·Π΄Π°Π½Π½ΠΎΠ΅, ΡΡΠΎΠ±Ρ Π΄ΠΎΠΌΠΈΠ½ΠΈΡΠΎΠ²Π°ΡΡ Π² ΠΈΠ½ΡΠ΅ΡΡΠ΅ΡΠ΅, ΠΊΡΠ΅ΡΠ»ΠΎ Bird Ρ Π²ΡΡΠΎΠΊΠΎΠΉ ΠΊΡΡΠ»Π°ΡΠΎΠΉ ΡΠΏΠΈΠ½ΠΊΠΎΠΉ (102.2 ΡΠΌ) ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠΉ ΠΌΠΎΠ½ΡΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΡΡΡΡ, ΠΎΠ΄Π½ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ ΡΠ°Π±ΠΎΡΠ°Ρ ΠΊΠ°ΠΊ Π°ΡΡ-ΠΎΠ±ΡΠ΅ΠΊΡ ΠΈ ΡΠΎΡΠΊΠΎΡΠ½ΠΎΠ΅ ΠΌΠ΅ΡΡΠΎ ΠΎΡΠ΄ΡΡ Π°.
ΠΠΈΠ·ΠΊΠ°Ρ ΠΏΠΎΡΠ°Π΄ΠΊΠ° (36.8 ΡΠΌ) Π³Π»ΡΠ±ΠΆΠ΅, ΡΠ΅ΠΌ Ρ ΠΊΡΠ΅ΡΠ»Π° Diamond, ΠΈ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π·Π°Π½ΡΡΡ ΠΏΠΎΠ»ΡΠ»Π΅ΠΆΠ°ΡΠ΅Π΅ ΠΏΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅. Β«ΠΡΡΠ»ΡΡΒ» ΡΠΏΠΈΠ½ΠΊΠΈ Π΄Π΅Π»ΠΈΠΊΠ°ΡΠ½ΠΎ ΠΎΠ³ΠΈΠ±Π°ΡΡ ΠΏΠ»Π΅ΡΠΈ, ΡΠΎΠ·Π΄Π°Π²Π°Ρ ΡΡΡΠ½ΠΎΠ΅ ΡΠ΅Π΄ΠΈΠ½Π΅Π½ΠΈΠ΅ ΠΏΠΎΡΡΠ΅Π΄ΠΈ ΠΎΡΠΊΡΡΡΠΎΠΉ ΠΊΠΎΠΌΠ½Π°ΡΡ.
ΠΡΠ΅ΡΠ»ΠΎ Bird Π² ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ΅ ΡΠΎ ΡΠ²ΠΎΠΈΠΌ ΠΏΡΡΠΎΠΌ (ΠΎΡΡΠΎΠΌΠ°Π½ΠΊΠΎΠΉ) ΡΠΎΡΠΌΠΈΡΡΠ΅Ρ ΡΠ°ΠΌΠΎΠ΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΡΠΉ Π°Π½ΡΠ°ΠΌΠ±Π»Ρ Π² ΡΠ΅ΡΠΏΠ΅ΠΊΡΠ°Π±Π΅Π»ΡΠ½ΡΡ ΠΎΡΠΈΡΠ°Ρ ΠΈΠ»ΠΈ ΠΏΡΠΈΠ΅ΠΌΠ½ΡΡ , ΠΌΠ³Π½ΠΎΠ²Π΅Π½Π½ΠΎ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°Ρ Π±Π΅ΡΠΊΠΎΠΌΠΏΡΠΎΠΌΠΈΡΡΠ½ΡΠΉ ΡΡΠ°ΡΡΡ ΠΈ Π²ΠΊΡΡ Π²Π»Π°Π΄Π΅Π»ΡΡΠ°.
ΠΠΊΡΠΏΠΎΠ½Π°Ρ ΠΠ½ΡΡΠΈΡΡΡΠ° ΠΈΡΠΊΡΡΡΡΠ² Π§ΠΈΠΊΠ°Π³ΠΎ ΠΈ ΡΠΈΠΌΠ²ΠΎΠ» Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΎΠ³ΠΎ ΠΌΠΎΠ΄Π΅ΡΠ½ΠΈΠ·ΠΌΠ° mid-century. ΠΠ΄Π΅Π°Π»ΡΠ½ΠΎΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π΄Π»Ρ ΠΊΡΠ»ΡΡΡΡΠ½ΡΡ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ² ΠΈ ΡΠ°ΡΡΠ½ΡΡ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΉ, ΠΏΠΎΡΡΡΠΎΠ΅Π½Π½ΡΡ Π½Π° ΠΏΡΠΈΠ½ΡΠΈΠΏΠ°Ρ ΡΠ»ΠΈΡΠ½ΠΈΡ ΠΌΠ΅Π±Π΅Π»ΠΈ ΠΈ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ.
ΠΠ΅ΡΡΠΎΠΉΡ ΠΎΠΏΠΈΡΡΠ²Π°Π» ΡΠ²ΠΎΠ»ΡΡΠΈΡ ΡΠΎΠ·Π΄Π°Π½Π½ΡΡ ΠΈΠΌ ΡΡΡΠ»ΡΠ΅Π² ΠΈ ΠΊΡΠ΅ΡΠ΅Π» ΠΊΠ°ΠΊ ΠΏΡΠΎΡΠ΅ΡΡ ΠΏΠΎΡΡΠ΅ΠΏΠ΅Π½Π½ΠΎΠ³ΠΎ ΠΎΡΠΊΡΡΡΠΈΡ, Π° Π½Π΅ ΡΠ΅Π»Π΅Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½Π½ΠΎΠ³ΠΎ ΠΏΡΠΎΠ΅ΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΡ: ΡΠΎΡΠΌΡ, Π·Π°ΡΠΎΠ΄ΠΈΠ²ΡΠΈΠ΅ΡΡ ΠΊΠ°ΠΊ ΠΏΡΠΎΡΡΠ°Ρ ΠΈΠ΄Π΅Ρ ΠΎΠ±Π΅Π΄Π΅Π½Π½ΠΎΠ³ΠΎ ΡΡΡΠ»Π°, ΡΠΎ Π²ΡΠ΅ΠΌΠ΅Π½Π΅ΠΌ ΡΠ°Π·Π²ΠΈΠ²Π°Π»ΠΈΡΡ, Β«ΡΡΠΎΠ±Ρ Π΄Π°ΡΡ ΠΎΠΏΠΎΡΡ Π³ΠΎΠ»ΠΎΠ²Π΅Β», ΠΊΠ°ΠΊ Π²ΡΡΠ°ΠΆΠ°Π»ΡΡ ΡΠ°ΠΌ Π°Π²ΡΠΎΡ, ΠΏΠΎΠΊΠ° ΠΈΠ· ΠΌΠ΅ΡΠ°Π»Π»Π° Π½Π΅ ΡΠΎΠΆΠ΄Π°Π»ΠΎΡΡ Π½Π΅ΡΡΠΎ ΡΠ΅Π»ΡΠ½ΠΎΠ΅, ΡΡΠ΅Π±ΡΡΡΠ΅Π΅ Π³Π»ΡΠ±ΠΎΠΊΠΎΠ³ΠΎ ΠΎΡΠΌΡΡΠ»Π΅Π½ΠΈΡ. ΠΡΠ΅ΡΠ»ΠΎ Bird (Β«ΠΡΠΈΡΠ°Β») ΡΡΠ°Π»ΠΎ Π²Π΅ΡΡΠΈΠ½ΠΎΠΉ ΡΡΠΎΠ³ΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠ° Π² ΡΠ°ΠΌΠΊΠ°Ρ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΈ 1952 Π³ΠΎΠ΄Π° β ΡΠΎΡΠΌΠΎΠΉ, Π³Π΄Π΅ ΡΠ²Π°ΡΠ½Π°Ρ ΡΠ΅ΡΠ΅ΡΠΊΠ° ΠΎΠΊΠΎΠ½ΡΠ°ΡΠ΅Π»ΡΠ½ΠΎ ΠΏΠ΅ΡΠ΅ΡΡΠ°Π΅Ρ Π½Π°ΠΏΠΎΠΌΠΈΠ½Π°ΡΡ ΠΏΡΠΈΠ²ΡΡΠ½ΡΡ ΠΌΠ΅Π±Π΅Π»ΡΠ½ΡΡ Π³Π΅ΠΎΠΌΠ΅ΡΡΠΈΡ ΠΈ ΠΏΡΠ΅Π²ΡΠ°ΡΠ°Π΅ΡΡΡ Π² ΠΏΠΎΠ΄ΠΎΠ±ΠΈΠ΅ ΠΊΡΡΠ»Π°ΡΠΎΠ³ΠΎ, ΠΏΠ»Π°Π²Π½ΠΎ ΠΏΡΠΈΠ·Π΅ΠΌΠ»ΡΡΡΠ΅Π³ΠΎΡΡ ΡΡΡΠ΅ΡΡΠ²Π°. ΠΠΎΠ»Π½Π°Ρ ΡΠΊΠ°Π½Π΅Π²Π°Ρ ΠΎΠ±ΠΈΠ²ΠΊΠ°, ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎ Π½Π°ΡΡΠ½ΡΡΠ°Ρ ΠΏΠΎΠ²Π΅ΡΡ ΡΠ»ΠΎΠΆΠ½ΠΎΠ³ΠΎ ΠΊΠ°ΡΠΊΠ°ΡΠ°, ΡΡΠ°Π½ΡΡΠΎΡΠΌΠΈΡΡΠ΅Ρ ΡΠΊΠ²ΠΎΠ·Π½ΡΡ ΠΏΡΠΎΠ·ΡΠ°ΡΠ½ΠΎΡΡΡ ΡΡΡΠ»ΡΠ΅Π² Side ΠΈ Diamond Π² Π½Π΅ΡΡΠΎ ΠΌΠΎΠ½ΠΎΠ»ΠΈΡΠ½ΠΎΠ΅ ΠΈ ΠΎΠ±Π²ΠΎΠ»Π°ΠΊΠΈΠ²Π°ΡΡΠ΅Π΅: Π²ΠΌΠ΅ΡΡΠΎ ΡΠΎΠ³ΠΎ ΡΡΠΎΠ±Ρ Π²ΠΈΠ΄Π΅ΡΡ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²ΠΎ Π½Π°ΡΠΊΠ²ΠΎΠ·Ρ ΡΠΊΠ²ΠΎΠ·Ρ ΠΏΡΡΡΡΡ, ΠΈ ΡΠΈΠ΄ΡΡΠΈΠΉ, ΠΈ Π½Π°Π±Π»ΡΠ΄Π°ΡΠ΅Π»Ρ Π²ΠΎΡΠΏΡΠΈΠ½ΠΈΠΌΠ°ΡΡ ΠΊΡΠ΅ΡΠ»ΠΎ Bird ΠΊΠ°ΠΊ ΠΏΠ»ΠΎΡΠ½ΡΡ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΡΡ ΠΌΠ°ΡΡΡ. ΠΡΠΈ Π²Π΅ΡΠ΅ 21 ΡΡΠ½Ρ (9.5 ΠΊΠ³) ΠΊΡΠ΅ΡΠ»ΠΎ ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ Π²Π΅ΡΠΎΠΌΡΠΌ ΡΠΈΠ·ΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΏΡΠΈΡΡΡΡΡΠ²ΠΈΠ΅ΠΌ, ΠΎΡΡΠ°Π²Π°ΡΡΡ ΠΏΡΠΈ ΡΡΠΎΠΌ ΡΠ΄ΠΎΠ±Π½ΡΠΌ Π΄Π»Ρ ΠΏΠ΅ΡΠ΅ΠΌΠ΅ΡΠ΅Π½ΠΈΡ. ΠΠΎΠΏΠΎΠ»Π½ΡΡΡΠΈΠΉ Π΅Π³ΠΎ ΠΏΡΡ β ΡΠΎΠ·Π΄Π°Π½Π½ΡΠΉ ΠΊΠ°ΠΊ ΠΊΠΎΠΌΠΏΠ°Π½ΡΠΎΠ½, Π½ΠΎ ΡΠΏΠΎΡΠΎΠ±Π½ΡΠΉ ΡΠ»ΡΠΆΠΈΡΡ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΡΠΌ ΡΠΈΠ΄Π΅Π½ΡΠ΅ΠΌ β ΡΠ°ΡΡΠΈΡΡΠ΅Ρ Π·ΠΎΠ½Ρ ΠΎΡΠ΄ΡΡ Π° Π±Π΅Π· Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎΡΡΠΈ ΡΠ°Π·ΠΌΠ΅ΡΠ΅Π½ΠΈΡ Π³ΡΠΎΠΌΠΎΠ·Π΄ΠΊΠΎΠ³ΠΎ Π²ΡΠΎΡΠΎΠ³ΠΎ ΠΊΡΠ΅ΡΠ»Π°. ΠΠ°Ρ ΠΎΠ΄ΡΡΡ ΡΠ΅Π³ΠΎΠ΄Π½Ρ Π² ΠΏΠΎΡΡΠΎΡΠ½Π½ΠΎΠΉ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΈ ΠΠ½ΡΡΠΈΡΡΡΠ° ΠΈΡΠΊΡΡΡΡΠ² Π§ΠΈΠΊΠ°Π³ΠΎ, ΠΊΡΠ΅ΡΠ»ΠΎ Bird ΡΠ»ΡΠΆΠΈΡ Π½Π°Π³Π»ΡΠ΄Π½ΡΠΌ ΠΏΠΎΠ΄ΡΠ²Π΅ΡΠΆΠ΄Π΅Π½ΠΈΠ΅ΠΌ ΡΠΎΠ³ΠΎ, ΠΊΠ°ΠΊ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΠΎΠ΅ ΠΏΡΠΎΡΠ»ΠΎΠ΅ ΠΠ΅ΡΡΠΎΠΉΠΈ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΠ»ΠΎ ΠΊΠ°ΠΆΠ΄ΠΎΠ΅ Π΅Π³ΠΎ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π² ΠΌΠ΅Π±Π΅Π»ΡΠ½ΠΎΠΌ Π΄ΠΈΠ·Π°ΠΉΠ½Π΅.
ΠΠ°ΡΡΠΈ ΠΠ΅ΡΡΠΎΠΉΡ (1915β1978) ΡΠΎΠ΄ΠΈΠ»ΡΡ Π² Π‘Π°Π½-ΠΠΎΡΠ΅Π½ΡΠΎ, Italy, ΠΈ Π² Π²ΠΎΠ·ΡΠ°ΡΡΠ΅ 15 Π»Π΅Ρ ΠΈΠΌΠΌΠΈΠ³ΡΠΈΡΠΎΠ²Π°Π» Π² ΠΠ΅ΡΡΠΎΠΉΡ. ΠΠ±ΡΡΠ°Π»ΡΡ Π² ΠΡΡΠ½Π±ΡΡΠΊΡΠΊΠΎΠΉ Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΠΈ ΠΈΡΠΊΡΡΡΡΠ², Π³Π΄Π΅ ΠΏΠΎΠ·ΠΆΠ΅ ΠΏΡΠ΅ΠΏΠΎΠ΄Π°Π²Π°Π» Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΡ ΠΌΠ΅ΡΠ°Π»Π»Π° ΠΈ Π΄ΠΈΠ·Π°ΠΉΠ½ ΡΠ²Π΅Π»ΠΈΡΠ½ΡΡ ΠΈΠ·Π΄Π΅Π»ΠΈΠΉ, ΡΠ±Π»ΠΈΠ·ΠΈΠ²ΡΠΈΡΡ Ρ ΠΡΡΠΎ Π‘Π°Π°ΡΠΈΠ½Π΅Π½ΠΎΠΌ, Π§Π°ΡΠ»ΡΠ·ΠΎΠΌ ΠΈ Π ΡΠΉ ΠΠΌΠ·, Π° ΡΠ°ΠΊΠΆΠ΅ Π€Π»ΠΎΡΠ΅Π½Ρ Π¨ΡΡΡ (Π² Π·Π°ΠΌΡΠΆΠ΅ΡΡΠ²Π΅ Π€Π»ΠΎΡΠ΅Π½Ρ ΠΠΎΠ»Π»). Π 1943 Π³ΠΎΠ΄Ρ ΠΏΠ΅ΡΠ΅Π΅Ρ Π°Π» Π² ΠΠ°Π»ΠΈΡΠΎΡΠ½ΠΈΡ, ΡΡΠΎΠ±Ρ ΠΏΠΎΠΌΠΎΡΡ ΡΡΠΏΡΡΠ³Π°ΠΌ ΠΠΌΠ· Π² ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΠ΅ ΡΠ΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ ΡΠΎΡΠΌΠΎΠ²Π°Π½Π½ΠΎΠΉ ΡΠ°Π½Π΅ΡΡ β Π²ΠΊΠ»Π°Π΄, ΠΊΠΎΡΠΎΡΡΠΉ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈ ΡΠ΅Π΄ΠΊΠΎ ΡΠΏΠΎΠΌΠΈΠ½Π°Π»ΡΡ ΠΏΡΠ±Π»ΠΈΡΠ½ΠΎ. ΠΠΎΠ·ΠΆΠ΅ Π€Π»ΠΎΡΠ΅Π½Ρ ΠΈ Π₯Π°Π½Ρ ΠΠΎΠ»Π» ΡΠ±Π΅Π΄ΠΈΠ»ΠΈ Π΅Π³ΠΎ ΠΏΠ΅ΡΠ΅Π΅Ρ Π°ΡΡ Π½Π° Π²ΠΎΡΡΠΎΠΊ ΠΈ ΠΎΡΠΊΡΡΡΡ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΡΡ ΠΌΠ΅ΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΡΡ ΠΌΠ°ΡΡΠ΅ΡΡΠΊΡΡ Π½Π° Π±Π°Π·Π΅ ΡΠ°Π±ΡΠΈΠΊΠΈ Knoll, ΠΏΡΠ΅Π΄ΠΎΡΡΠ°Π²ΠΈΠ² Π΅ΠΌΡ ΠΏΠΎΠ»Π½ΡΡ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΡΡ ΡΠ²ΠΎΠ±ΠΎΠ΄Ρ. Π Π΅Π·ΡΠ»ΡΡΠ°ΡΠΎΠΌ ΡΡΠ°Π»Π° ΠΊΡΠ»ΡΡΠΎΠ²Π°Ρ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΡ ΠΏΡΠΎΠ²ΠΎΠ»ΠΎΡΠ½ΠΎΠΉ ΠΌΠ΅Π±Π΅Π»ΠΈ 1952 Π³ΠΎΠ΄Π° β Π΅Π΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½Π°Ρ ΠΌΠ΅Π±Π΅Π»ΡΠ½Π°Ρ ΡΠ΅ΡΠΈΡ Π² Π΅Π³ΠΎ ΠΊΠ°ΡΡΠ΅ΡΠ΅ ΠΈ ΠΎΠ΄Π½ΠΎ ΠΈΠ· ΡΠ°ΠΌΡΡ Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΡΡ Π΄ΠΎΡΡΠΈΠΆΠ΅Π½ΠΈΠΉ Π² Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ XX Π²Π΅ΠΊΠ°. Π ΠΎΡΠ»ΡΠΈ ΠΎΡ Π΅Π΅ ΠΏΡΠΎΠ΄Π°ΠΆ ΠΏΠΎΠ·Π²ΠΎΠ»ΠΈΠ»ΠΈ ΠΠ΅ΡΡΠΎΠΉΠ΅ ΠΏΠΎΡΠ²ΡΡΠΈΡΡ Π²ΡΡ ΠΎΡΡΠ°Π²ΡΡΡΡΡ ΠΆΠΈΠ·Π½Ρ ΠΌΠΎΠ½ΡΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΌΠ΅ΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ΅ (Π²ΠΊΠ»ΡΡΠ°Ρ ΡΠΊΡΠ°Π½ Π΄Π»Ρ Π’Π΅Ρ Π½ΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΠ΅Π½ΡΡΠ° General Motors ΠΈ Π°Π»ΡΠ°ΡΡ ΠΊΠ°ΠΏΠ΅Π»Π»Ρ MIT). ΠΠ°ΡΡΠ΅Π°Ρ ΠΠΎΠ»ΠΎΡΠΎΠΉ ΠΌΠ΅Π΄Π°Π»ΠΈ AIA ΠΈ Π·Π²Π°Π½ΠΈΡ Β«ΠΠΈΠ·Π°ΠΉΠ½Π΅Ρ Π³ΠΎΠ΄Π° Π² Π‘Π¨ΠΒ» (1955). ΠΡΠ΅Π½Π΄ Knoll Π²Ρ ΠΎΠ΄ΠΈΡ Π² ΡΠΎΡΡΠ°Π² ΡΠΎΡΠ·Π° MillerKnoll.
ΠΠ½ΡΡΡΡΠΊΡΠΈΠΈ ΠΏΠΎ ΡΡ ΠΎΠ΄Ρ
Π₯ΡΠΎΠΌΠΈΡΠΎΠ²Π°Π½Π½ΡΠΉ ΠΊΠ°ΡΠΊΠ°Ρ: ΠΡΠΈ ΠΎΠ±ΡΡΠ½ΠΎΠΉ ΡΠΊΡΠΏΠ»ΡΠ°ΡΠ°ΡΠΈΠΈ ΠΌΠ΅ΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΠΈΠΉ Π½Π΅ΡΡΡΠΈΠΉ ΠΎΡΡΠΎΠ² ΠΏΠΎΠ»Π½ΠΎΡΡΡΡ ΡΠΊΡΡΡ ΠΏΠΎΠ΄ ΠΌΡΠ³ΠΊΠΈΠΌ ΠΎΠ±ΠΈΠ²ΠΎΡΠ½ΡΠΌ ΡΠ΅Ρ Π»ΠΎΠΌ. ΠΠΎΡΡΠΎΡΠ½Π½ΠΎΠ³ΠΎ ΠΏΡΡΠΌΠΎΠ³ΠΎ ΡΡ ΠΎΠ΄Π° Π·Π° Ρ ΡΠΎΠΌΠΎΠΌ Π² ΠΏΡΠΎΡΠ΅ΡΡΠ΅ ΡΠΊΡΠΏΠ»ΡΠ°ΡΠ°ΡΠΈΠΈ Π½Π΅ ΡΡΠ΅Π±ΡΠ΅ΡΡΡ. Π ΡΠ»ΡΡΠ°Π΅ ΠΏΠΎΠ»Π½ΠΎΠ³ΠΎ ΡΠ½ΡΡΠΈΡ ΡΠ΅Ρ Π»Π° Π΄Π»Ρ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ Ρ ΠΈΠΌΡΠΈΡΡΠΊΠΈ ΠΈΠ»ΠΈ ΠΏΠ΅ΡΠ΅ΡΡΠΆΠΊΠΈ, ΠΎΡΠΈΡΠ°ΠΉΡΠ΅ ΠΎΡΠΊΡΡΡΡΠ΅ ΡΡΠ°Π»ΡΠ½ΡΠ΅ ΠΏΡΡΡΡΡ ΠΌΡΠ³ΠΊΠΎΠΉ Π²Π»Π°ΠΆΠ½ΠΎΠΉ ΡΠΊΠ°Π½ΡΡ Ρ Π΄Π΅Π»ΠΈΠΊΠ°ΡΠ½ΡΠΌ ΠΌΡΠ»ΠΎΠΌ ΠΈ ΡΡΠ°Π·Ρ Π²ΡΡΠΈΡΠ°ΠΉΡΠ΅ Π½Π°ΡΡΡ ΠΎ. ΠΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠΉΡΠ΅ ΡΠ°ΡΡΠ²ΠΎΡΠΈΡΠ΅Π»ΠΈ ΠΈΠ»ΠΈ Π°Π±ΡΠ°Π·ΠΈΠ²Ρ.
Π’Π΅ΠΊΡΡΠΈΠ»ΡΠ½ΡΠΉ ΡΠ΅Ρ ΠΎΠ»: Π Π΅Π³ΡΠ»ΡΡΠ½ΠΎ ΠΎΡΠΈΡΠ°ΠΉΡΠ΅ ΠΏΠΎΠ²Π΅ΡΡ Π½ΠΎΡΡΡ ΠΏΡΠ»Π΅ΡΠΎΡΠΎΠΌ ΠΈΠ»ΠΈ ΠΌΡΠ³ΠΊΠΎΠΉ ΡΠ΅ΡΠΊΠΎΠΉ Π΄Π»Ρ ΡΠ΄Π°Π»Π΅Π½ΠΈΡ ΠΏΡΠ»ΠΈ, ΡΠ΄Π΅Π»ΡΡ ΠΎΡΠΎΠ±ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π³Π»ΡΠ±ΠΎΠΊΠΈΠΌ ΠΈΠ·ΠΎΠ³Π½ΡΡΡΠΌ ΡΠ²Π°ΠΌ, Π³Π΄Π΅ ΡΠΊΠ°Π½Ρ ΠΏΠ»ΠΎΡΠ½ΠΎ ΠΎΠ±Π»Π΅Π³Π°Π΅Ρ ΡΠ»ΠΎΠΆΠ½ΡΠΉ ΠΊΠ°ΡΠΊΠ°Ρ. ΠΡΡΠ½Π° ΡΠ΄Π°Π»ΡΠΉΡΠ΅ ΡΠΏΠ΅ΡΠΈΠ°Π»ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌΠΈ ΡΡΠ΅Π΄ΡΡΠ²Π°ΠΌΠΈ Π΄Π»Ρ ΠΌΠ΅Π±Π΅Π»ΡΠ½ΡΡ ΡΠΊΠ°Π½Π΅ΠΉ, ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΠ½ΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠΈΡΠΎΠ²Π°Π² ΠΈΡ Π½Π° Π½Π΅Π·Π°ΠΌΠ΅ΡΠ½ΠΎΠΌ ΡΡΠ°ΡΡΠΊΠ΅ ΠΊΠ°ΡΠΊΠ°ΡΠ°. ΠΡΠΎΠΌΠ°ΠΊΠΈΠ²Π°ΠΉΡΠ΅ Π·Π°Π³ΡΡΠ·Π½Π΅Π½ΠΈΡ, ΠΈΠ·Π±Π΅Π³Π°Ρ ΠΆΠ΅ΡΡΠΊΠΎΠ³ΠΎ ΡΡΠ΅Π½ΠΈΡ. ΠΠ°ΡΠΈΡΠ°ΠΉΡΠ΅ ΠΎΡ Π΄Π»ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ Π²ΠΎΠ·Π΄Π΅ΠΉΡΡΠ²ΠΈΡ ΠΏΡΡΠΌΡΡ ΡΠΎΠ»Π½Π΅ΡΠ½ΡΡ Π»ΡΡΠ΅ΠΉ.
ΠΠΎΠΆΠ°Π½ΡΠΉ ΡΠ΅Ρ ΠΎΠ»: ΠΡΠΎΡΠΈΡΠ°ΠΉΡΠ΅ ΡΡΡ ΠΎΠΉ ΠΈΠ»ΠΈ Π΅Π΄Π²Π° Π²Π»Π°ΠΆΠ½ΠΎΠΉ ΠΌΡΠ³ΠΊΠΎΠΉ ΡΠ°Π»ΡΠ΅ΡΠΊΠΎΠΉ Π² ΡΠ°ΠΌΠΊΠ°Ρ Π΅ΠΆΠ΅Π½Π΅Π΄Π΅Π»ΡΠ½ΠΎΠΉ ΡΠ±ΠΎΡΠΊΠΈ. ΠΡΡΠ½Π° ΡΠ΄Π°Π»ΡΠΉΡΠ΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΠΌΠΈ ΠΎΡΠΈΡΡΠΈΡΠ΅Π»ΡΠΌΠΈ Π΄Π»Ρ Π½Π°ΡΡΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΊΠΎΠΆΠΈ, Π΄Π΅ΠΉΡΡΠ²ΡΡ ΠΌΡΠ³ΠΊΠΎ. ΠΠ΅ΡΠΈΠΎΠ΄ΠΈΡΠ΅ΡΠΊΠΈ ΠΎΠ±ΡΠ°Π±Π°ΡΡΠ²Π°ΠΉΡΠ΅ ΠΏΠΎΠ²Π΅ΡΡ Π½ΠΎΡΡΡ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠΌ ΠΊΠΎΠ½Π΄ΠΈΡΠΈΠΎΠ½Π΅ΡΠΎΠΌ Π΄Π»Ρ ΠΊΠΎΠΆΠΈ. ΠΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ Π±ΡΡΠΎΠ²ΠΎΠΉ Ρ ΠΈΠΌΠΈΠΈ, ΡΠΏΠΈΡΡΠΎΡΠΎΠ΄Π΅ΡΠΆΠ°ΡΠΈΡ ΡΠΎΡΡΠ°Π²ΠΎΠ² ΠΈΠ»ΠΈ Π°Π³ΡΠ΅ΡΡΠΈΠ²Π½ΡΡ ΡΠ°ΡΡΠ²ΠΎΡΠΈΡΠ΅Π»Π΅ΠΉ Π·Π°ΠΏΡΠ΅ΡΠ΅Π½ΠΎ.
ΠΠΊΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΌΠ°Π½ΠΈΡΠ΅ΡΡ
ΠΠ½ΡΠ΅ΡΡΠ΅ΡΠ½ΠΎΠ΅ ΠΊΡΠ΅ΡΠ»ΠΎ Bird ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎ ΡΠ΅ΡΡΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½ΠΎ ΠΏΠΎ Π°Π²ΡΠΎΡΠΈΡΠ΅ΡΠ½ΠΎΠΌΡ ΡΡΠ°Π½Π΄Π°ΡΡΡ GREENGUARD, Π³Π°ΡΠ°Π½ΡΠΈΡΡΡΡΠ΅ΠΌΡ ΡΠΈΡΡΠΎΡΡ Π²Π½ΡΡΡΠ΅Π½Π½Π΅ΠΉ ΠΆΠΈΠ»ΠΎΠΉ ΡΡΠ΅Π΄Ρ ΠΈ ΠΎΡΡΡΡΡΡΠ²ΠΈΠ΅ Π²ΡΠ΅Π΄Π½ΡΡ Π»Π΅ΡΡΡΠΈΡ Ρ ΠΈΠΌΠΈΡΠ΅ΡΠΊΠΈΡ ΠΈΡΠΏΠ°ΡΠ΅Π½ΠΈΠΉ.
Knoll ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡ ΠΌΠ΅Π±Π΅Π»Ρ Π² ΡΠ°ΠΌΠΊΠ°Ρ ΠΊΠΎΠ½ΡΠ΅ΠΏΡΠΈΠΈ Π±Π΅ΡΠ΅ΠΆΠ½ΠΎΠ³ΠΎ ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΡ ΠΊ ΠΏΡΠΈΡΠΎΠ΄Π΅, ΡΡΠ½ΠΊΡΠΈΠΎΠ½ΠΈΡΡΡ Π²Π½ΡΡΡΠΈ Π³Π»ΠΎΠ±Π°Π»ΡΠ½ΠΎΠ³ΠΎ ΡΠΎΡΠ·Π° MillerKnoll, ΡΠ΅ΡΡΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠ³ΠΎ ΠΏΠΎ ΡΡΠ°Π½Π΄Π°ΡΡΡ ΡΠΊΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΌΠ΅Π½Π΅Π΄ΠΆΠΌΠ΅Π½ΡΠ° ISO 14001.
ΠΠ°ΡΠ°Π½ΡΠΈΠΉΠ½ΡΠ΅ ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΡΡΠ²Π°: ΠΠ»Ρ ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΡ Π΄Π΅ΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΈ ΠΏΠΎ ΡΡΠ»ΠΎΠ²ΠΈΡΠΌ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ°Π±ΡΠΈΡΠ½ΠΎΠΉ Π³Π°ΡΠ°Π½ΡΠΈΠΈ ΠΈ ΡΠ΅ΡΠ²ΠΈΡΠ½ΠΎΠΌΡ ΡΠΎΠΏΡΠΎΠ²ΠΎΠΆΠ΄Π΅Π½ΠΈΡ Π½Π° ΡΠ΅ΡΡΠΈΡΠΎΡΠΈΠΈ ΠΠ°Π·Π°Ρ ΡΡΠ°Π½Π°, ΠΏΠΎΠΆΠ°Π»ΡΠΉΡΡΠ°, ΡΠ²ΡΠΆΠΈΡΠ΅ΡΡ Π½Π°ΠΏΡΡΠΌΡΡ Ρ Π½Π°ΡΠ΅ΠΉ ΠΊΠΎΠΌΠ°Π½Π΄ΠΎΠΉ Π² ΠΠ»ΠΌΠ°ΡΡ.
Warranty β Contact for More Info.
A sculptural Harry Bertoia design, 1952. Held in major design museum collections. Backed locally in Kazakhstan.
For warranty terms applicable to the Bertoia Bird Chair, please contact our team in Almaty. We are happy to provide full details before you place an order.
WELDED STEEL ROD FRAME (polished chrome)
Contact for more info
UPHOLSTERED COVER (fabric or leather)
Contact for more info
CONTOURED FOAM PADDING
Contact for more info
PROFESSIONAL SUPPORT
Available across Kazakhstan & the CIS region
Customers testimonials
What our customers are saying about us.
Rating"A great company with quality furniture and comfortable chairs for work and home. Delivery and installation were on time and without any problems!!! THANK YOU"
Anvar Nurbaev
Google Review
Rating"I bought a chair from you. I really liked it. It's high quality, comfortable, and at a reasonable price. Thank you!"
ΠΡΠ΅ΠΌ ΠΠΉΡΠΊΠ°Π»ΠΈΠ΅Π²Π°
Google Review
Rating"High-quality furniture. The guys helped me set up my office, and I'm very happy with the results! I highly recommend them."
ΠΠ»Π΅ΠΊΡΠ΅ΠΉ Π©Π΅ΡΠΈΠ½ΠΈΠ½
Google Review
ββ QUESTIONS
Everything you might ask before buying.
Chair: 38.5"W x 33"D x 40.25"H; seat height 14.5". Weight: 21 lb (9.5 kg). Comes fully assembled.
23.5"W x 17.25"D x 14.5"H; weight 9 lb (4.1 kg). The ottoman is designed to accompany the Bird Chair but functions equally well as an independent stool or footrest, and is listed separately so it can be purchased on its own.
No β the Bird Chair is available fully upholstered only. The sculptural welded frame is entirely concealed beneath a contoured fabric or leather cover that follows the exact curvature of the form. This differs from the Side Chair and Diamond Chair, which can be specified with the bare wire frame visible.
The high, winged silhouette of the back β which rises and curls around the sitter's shoulders β has long suggested the form of a settling bird, giving the chair its popular name. Bertoia himself described his design process as one in which shapes developed organically, with some "beginning to extend to care of the head," language that closely matches the chair's final form.
A wide range of Knoll Textiles and Spinneybeck Leathers. Contact our team to discuss options and request samples before ordering.
Yes β 100% genuine Knoll. The frame is stamped with the Knoll logo. Knoll is the only authorised and licensed manufacturer of the Bertoia Collection.
Please contact our team in Almaty for full warranty terms
Yes. Delivery is available across Kazakhstan and the CIS region, with professional installation available in Almaty.
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